I published this as a solo acoustic piece but again in my head could listen to it in a strap environment.
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I published this as a single acoustic piece but again in my own head could notice it in a music group environment. A jazzy lick I had around for a long time, reminding me of My Baby Just Cares FOR ME PERSONALLY by Nina Simone – that was why My Baby was in my own mind when the lyrics came up. I usually thought the intro/outro sounded just like a Waterfall which lead to the lyrics. After some thought it was evident this should be the title an eye on the CD – that is clearly a statement about how exactly I feel today. A feel good lyric about how precisely now in restoration a very important thing really total else is the fact I’m actually getting happy about being me. Written age ranges ago. Formerly in standard tuning then your Drop D idea came to me and can be all over the 6 strings in the beginning of the pattern. The solo isn’t bad – a couple of green ones I wish perhaps I’d nailed there and then but never head. Written a couple of years back.
The start was a deliberate try to write something Steve Howe like and the second little was a tune I published in a music group while i was 16 so that is 30 something yrs . old now! A real old one – actually a mismatch of two music of mine from years absent by. A vintage 12 string noodle that was the intro of something for a long time. Written in Feb 2010. The picking little at the beginning was the beginning with an acoustic but as soon as I came across the chords for the verse I could hear that as a bass intro. This was one where I understood I needed to “spice it up” someplace in and therefore the move to the Bm if you are just thinking – has this music only received 3 chords? So once I had a second gig at RYTD setup I knew I put to turn it into a melody. Written in 2003 when I was in a band called Tripwire – a covers rock-band that failed without participating in a gig unfortunately.
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The lyrics were encouraged by something I heard someone say in a meeting once – about when they strike their very cheap someone said – “Why don’t we love you tonight until you can love yourself”. I put those lyrics to the side and some days later the Golden Minute idea came if you ask me. I keep wondering the particular lyrics were then and whether I will drag them away. I almost used that lyric as it was then realised some individuals could misinterpret it! Normal bass. And then the Gordon Smith bridge pickup coil tapped to appear a bit Telecaster is the single. My electro and PRS CE 22 will be the rhythm guitars, 5 String Ibanez bass of course and the single is my Gibson Les Paul Custom. I have the 12 string detuned half a shade – the bass line is enjoyed on the 5 string Ibanez which is in concert tuning – so the E♭ is on underneath B string.
Acoustic is the LL11 and the bass the ever present Ibanez five string. My electro is the acoustic rhythm, my Gordon Smith Graduate 60 I think from my H&K amp gives the other rhythm trail. It came through a noodle and is with a capo on the acoustic and the electric is the same chords in different voicings on the Strat. The solo is within E minor but the chords focus on C – some method, I never can body them out! True heroes. Very simple chord routine etc. The single was played on my Squier JV 62 strat using a patch on the Supervisor in stereo system – like the sound of this one. I cannot remember what emerged first the words of the chord design for the verse. A Gordon Giltrap motivated part – just came up through a few noodles that we captured and built on. Originated from noodling on the 12 string, I wanted another 12 string amount.
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I doubled with a 6 string – sometimes I like that other times I listen and think I shouldn’t have bothered. I never used it in the music group when i didn’t think it fitted in any way. Significant dissimilarities in idea shifts occurred among occupational and gender categories, but not among contest/ethnicity or age ranges. There was also a steady change in the insurance policy perception subscale that related to how highly the audience users assumed research on addiction was important. Workshop individuals achieved a significant improvement in knowledge about addiction with more youthful groups achieving greater increases. We conclude that addiction knowledge education provided to treatment specialists can increase their knowledge and change their beliefs about the sources of addictions. Participants’ values shifted in the desired direction. There were three inmates there whenever we got there. Just my LL11 recorded via a Shure mic – I love the sound I got on that. We finally surely got to the jail, and the crew got checked out in and went through the steel detector.